MKV → MOV

Transform Your MKV to MOV documents readily

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How to transform MKV to MOV

Step 1: Share your MKV files using the button above or by drag and drop.

Step 2: Click the 'Transform' button to start the transformation.

Step 3: Grab your converted MOV files.


MKV to MOV Transformation FAQ

How do I re-encode MKV to MOV without losing video quality?
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Upload your MKV file and set Quality to High Quality in the conversion options. That re-encodes the video at the highest quality setting (CRF 18 for H.264 and VP9 output), which keeps the most detail at the cost of a larger file. The default, Balanced, uses the standard setting. The MOV output gets a codec its container supports: H.264 for MP4, MOV and MKV, VP9 for WebM. MKV is codec-agnostic: H.264, HEVC, VP9 and AV1 video sit happily beside AAC, FLAC, Opus, DTS or Dolby audio in the same file. A MOV normally carries H.264 or HEVC for delivery, or ProRes when it is an editing master, alongside AAC or uncompressed PCM audio.
Keep whichever matches where the file is going, because neither is better in the abstract. One of these two is built for playback compatibility and the other for holding everything a file might contain, and they trade against each other exactly along that line. The pragmatic answer for most libraries is to archive in the feature-rich container and export to the compatible one on demand. MKV is the archival container of choice because it stores unlimited audio tracks, soft subtitles, chapter markers and cover art in one file. MOV is the QuickTime container, which Final Cut Pro, Premiere and DaVinci Resolve all open natively.
It depends on the MOV container. MP4, MOV and MKV output use H.264, which plays on practically every phone, browser and TV. WebM output uses VP9. AVI, WMV and MPEG output use the older codecs those formats were designed for. MOV is Apple’s QuickTime container, shipped in 1991 and still the format an iPhone, iPad or Final Cut Pro timeline writes by default.
Yes, the main audio track comes through, re-encoded to a codec the MOV container plays, for example AAC in MP4 and MOV or Opus in WebM. Most conversions keep only that one track (the one with the most channels), so alternate languages and commentary are dropped. MP4 to MOV, and AVI, WMV, MPEG, FLV, VOB or M4V to MKV, keep every audio track.
Yes. The frame rate is kept unless you change it: a 24 fps MKV stays 24 fps in the MOV. The Frame Rate setting can also convert to 60, 30 or 24 fps. It changes the rate only; it does not deinterlace the video or remove 3:2 pulldown.
It depends on what happens to the video. MKV to MP4 or MOV with the default settings copies the video stream unchanged, so the size stays close to the source. Most other pairs re-encode it: a high-bitrate MKV usually comes out smaller, while an already heavily compressed one can grow. Smaller File under Quality gives the smallest output, and H.265 in the Codec setting (MP4, MOV and MKV) is usually smaller than H.264 at similar quality but plays on fewer devices.
MP4 with H.264 plays on practically every phone, browser and TV. MOV with H.264 plays on Apple devices and most TVs but not on every older Android phone. MKV needs an app such as VLC on iOS, and WebM is at home in browsers. There is no device preset on this page, so choose the target format your device supports. MOV files are large, and outside the Apple ecosystem playback support is patchier than MP4 — older Android builds and some Smart TVs will refuse them.
There is no fixed time: it depends on the length, the resolution and the target format. Conversions run on our servers' CPUs with software encoders; there is no GPU acceleration. MKV to MP4 or MOV with the default settings copies the video stream and is the quickest. A re-encode to H.264 takes longer, and WebM (VP9) is the slowest target, several times slower than H.264 in our tests.
The converter has no resolution cap of its own; the limit is the upload size allowed on your plan, and the resolution stays as it is unless you choose 1080p, 720p or 480p. There is no HDR processing or tone mapping. When the video stream is copied (MKV to MP4 or MOV with the default settings), HDR10 passes through untouched. A re-encode drops the HDR10 mastering metadata, and with a Quality, Resolution or Frame Rate setting some pairs also reduce the video to 8-bit colour, so an HDR MKV can look washed out.
Yes. Uploaded MKV files are processed on our own conversion servers, no person reviews them, and they are never shared. The upload and the converted MOV are both deleted automatically about 24 hours after the conversion, which leaves time to download the result. See /privacy/ for the full policy.
Not in the same step. Use /trim-video/ or /video-cutter/ to clip the MKV first, or /rotate-video/ to turn it, then run the MKV to MOV conversion. Trimming first is faster than re-encoding the whole MKV just to drop unused footage.
Usually the output was compressed harder than the source. Open the conversion options, choose High Quality under Quality, keep Resolution at Original and convert again. There is no CRF or bitrate field on this page; High Quality is the setting that keeps the most detail.

MKV

MKV (Matroska) can hold unlimited video, audio, and subtitle tracks in a single file, ideal for movies.

MOV

MOV is Apple's QuickTime format, supporting excellent video and audio for cinema-grade editing.


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